I say “new take” because there’s an important distinction to be made here. Per the report in Deadline, Guadagnino is not remaking the 2000 movie written and directed by Mary Harron, which stars Christian Bale as Patrick Bateman, a Wall Street finance bro who also happens to be a vicious serial killer. Instead, Guadagnino is re-adapting the 1991 novel by Bret Easton Ellis, which is a lot sicker and more twisted than the film (anyone familiar with the source material will remember the whole zoo subplot, for one thing).
There’s very little information about this project other than the fact that it’s in the works, but Guadagnino, who’s currently promoting his latest film “Queer” — which itself is an adaptation of William S. Burroughs’ classic book of the same name — is an excellent choice for this adaptation. The Italian-born director has a wry sensibility, a sharp eye (that often creates striking and even shocking images), and thanks to films like “Suspiria” and “Bones and All,” we know he can make a seriously creepy movie. This all brings up an important question, though: Who could possibly play Patrick Bateman in Guadagnino’s “American Psycho?”
Let’s fancast Patrick Bateman in Luda Guadagnino’s take on American Psycho
So who should play Patrick Bateman, the smug, fourth-wall breaking “protagonist” of “American Psycho?” My contribution to the inevitable discourse: Mike Faist, who already collaborated with Luca Guadagnino on 2024’s “Challengers.” Faist should, by all rights, be a way bigger star at this point — hell, he should have gotten an Oscar nod for his take on Riff in Steven Spielberg’s criminally underrated remake of “West Side Story” — and he has the potential to bring a wild new energy to the character. Faist can switch between sweet (or even borderline naïve) and sinister in no time at all; he’d make an incredible Bateman.
Guadagnino is an ideal choice to direct a new American Psycho
It might be 2024’s “Challengers,” though, that really explains why Guadagnino is the right choice for this new take on “American Psycho.” The relatively straightforward story, about a romantic and professional entanglement between three entangled tennis players, takes several weird, dirty, and astonishing turns; at one point during a match between Art Donaldson (Mike Faist) and Patrick Zweig (Josh O’Connor), the camera seemingly lodges itself in the tennis ball to amp up the tension. Somehow, this weird move totally works, so we can definitely expect some seriously delightful weirdness from Guadagnino’s “American Psycho” as well.
What are your thoughts on the new adaptation of American Psycho? Let us know in the comments!
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